Colin Chapman

Editing before re-publication to celebrate 50 years since Jim Clark won the world championship, our book has views on Chapman by Ford’s great director of public affairs, the late Walter Hayes: “Jim Clark had two centres in his life. There was Chapman. Not Lotus, - Chapman. And there was home in Scotland. He felt secure at home in Scotland, but he never quite felt secure with Colin, because when you would say to him ‘Well Jimmy if there’s something worrying you why don’t you sit down and ask Colin’. He’d say, ‘Well you know, it’s very difficult’. He admired Chapman. He had huge respect for him. In a way he loved him, but there was often a sort of nervous tension between them.”

By 1961 Chapman’s influence was overwhelming. The relationship was more than just that between the Lotus team manager and a world champion driver. He was essentially Chapman’s world champion driver. It became a close personal relationship in which they enjoyed each other’s company and, while drivers of other teams went out on their own of an evening after a race or a practice session, Jim would almost always have dinner with Chapman.

It was a symptom of the intense loyalty Chapman commanded. His leadership qualities transcended the creation of great racing cars, his enthusiasm was infectious, he brimmed with initiatives, but more than that he had a gift for persuasion. He put over his ideas convincingly. He was able to sell his philosophy his sense of style and his self-confidence on both sides of the racing world and when it came to it, on both sides of the Atlantic. It was a messianic quality.

Reflecting on his achievements, Chapman could say quite un-self-consciously: “A few of us have to achieve great things in life so that it gives hope to others who are striving to achieve.” He really believed that some people, like him, had to succeed extravagantly in order to light up the lives of others. If anyone else had said something of that sort it would have sounded arrogant. Chapman could say it so reassuringly that it seemed almost modest and quite self-evident. He had the natural vanity of a man who knew his ideas were better.

Walter Hayes was one of Chapman’s most loyal supporters: “He never was arrogant. He merely knew better than anybody else. He also knew more.”

Hayes as an editor, had taken Chapman on as a newspaper motoring correspondent: “I’d been told to reform the Sunday Despatch and cars were beginning to be the big thing. There was no popular ownership of cars in this country until 1955. Nobody owned a car unless they were a doctor or a lawyer or rich. There were governments after the war telling us that we shouldn’t have cars at all. Sir Stafford Cripps wanted to tax them pretty well out of existence.”

“I was looking for somebody who could encapsulate what I felt was going to be the age of the car, so I got hold of Colin Chapman who was beginning to be talked about. Chapman was willing to come along, because £5,000 a year was quite important to him. He was difficult because he loved road testing cars, but it was not easy to get copy from him on time.”

Hayes (above) was sensible to Chapman’s design flair. “He was not a particularly good engine engineer, he would sit in a restaurant with a paper napkin and he would draw a car, and when he got to the engine he would just draw a box and write ‘engine’ on it. I don’t think he knew much about engines. His mind was a ferment of ideas yet instead of saying we’ve got it now, let’s perfect it, he always assumed that there had to be something added for next year. If you look at all the things he initiated in motor racing, more than any other man of our day, you often find he never stayed with anything quite long enough.”

He compared Chapman with a later entrepreneur in a similar mould, Tom Walkinshaw, who also created a successful business building and racing cars. “Walkinshaw did everything he said he would do for me on the day and at the price better than I could have expected. The same went for Chapman, and I hear stories about him in which he is not recognisable. I know people are sometimes different with me. People are particularly nice when you hold the purse strings, but I went and got Chapman because I knew him and I trusted him.”

Chapman’s early trials cars were home-built, improvised and primitive masterpieces. His Austin was followed by a Ford-powered version, then a 750cc special for racing. He applied the same bent for engineering to them that he later applied to grand prix racing cars, a talent for innovation that blossomed into something approaching genius.

He was single-minded and obsessional at whatever he turned his hand to. He was an accomplished racing driver; he designed boats and flew aeroplanes, showing aptitude at all of them. His competitive spirit was acute. Chapman never accepted the old aphorism about what mattered was taking part not winning. He could never understand how anyone could want to do anything without winning, and his winning was done with style. He had a flair for appearance, a neat turn of phrase, and a gift for branding the Lotus identity firmly on all he did. His achievements were immense, and he made exciting, innovative - although sometimes exasperating - road cars.
A millionaire by his 40th birthday, he won five drivers’ and six constructors’ world championships, and was at the head of a £10,000,000 business and the controls of his own Piper Seneca two years before his 50th. He had charm; he could show patience, but anybody doing business with him needed to be important to merit much of either. He put in long hours at the factory, ran the racing team at weekends, and seldom stopped to wonder why others did not do much the same. Energy, drive, talent and success were his hallmarks.

So was his short fuse, which sometimes went off in public such as with an overzealous policeman at Zandvoort who arrested him in a trackside fracas. Despite Chapman’s valid pass, the heavy-handed officer refused to allow him to go where he wanted, provoking a well documented punch-up.

His credentials as a driver included a close race in 1956 with Mike Hawthorn at the Whit Monday meeting at Goodwood. Both were in Lotus 11s and Chapman won. Other gifts included an ability to read a rule book, decide what its compilers meant and then find a way to defeat them. He also had a powerful commercial instinct. Where other enthusiasts might have been content to dismantle or cannibalise their first car in order to work on their second, Chapman sold it.

Lotus Engineering grew on the premise that people would build their cars from kits, and went into business on January 1, 1952, in north London. Chapman made the firm his full time job in 1955, married Hazel Williams who had provided the initial capital of £25, and employed Mike Costin as his chief assistant. He developed aerodynamic sports-racing cars and hired out his talent as a designer to Vanwall and BRM. His self-confidence seemed justified when Lotus survived its first financial crisis, and a Lotus Formula 2 car with a Coventry-Climax engine was shown at the London Motor Show. The Elite road car appeared in 1957, a ground-breaking design in glass reinforced plastic of which nearly a thousand were made.

Chapman’s delight at outwitting the racing authorities over badly-framed regulations was only matched by the cavalier attitude he adopted towards customers. He was always careful never to become personally involved, but the sharp-practice manners of Lotus in its kit-car and early Elite period enraged buyers. Their dilemma was that no other car had the same appeal. No other car had the Elite’s combination of speed and roadholding together with purity of line and sheer raciness. Chapman held the technological aces.

Test Evoque

Took to it for the wrong reasons. Range Rover virtues go without saying; fine off-road, reliability (nowadays), fit and finish, soft premium leather well-tailored with twin-needle stitching. Looked at it for about a day in the driveway, pondering the style. Evoque is radical. From the start, with the LRX prototype, the coupe mode and rakish roofline were certainly bold, rewrote the rules for compact SUVs. Evoque, when you look at it, was really the first to discard the upright angular shadow of the World War 2 Jeep. It rejected the notion that an SUV had to look rugged and cross-country. It made a statement on proportions. It was never going to be even faintly agricultural, unlike any Land Rover hitherto.

Evoque shares a production line with Freelander, with a third of its underpinnings, yet is lighter. It looked too pretty to be cross-country-capable, the rising belt line and sleek roof contradicted bulky BMWs, Audis and Toyotas. Demand for it – they can’t make enough of them - shows Land Rover was right tackling younger, urban tastes, welcoming newcomers who would never have thanked you for a Land Rover, until now. A rich vein of buyers has been waiting for a mini SUV, with premium appearance, luxury, off-road ability and shrink-wrapped like this.

I have been driving a 4-door. The 2-door is 3cm lower, so getting in and out can be challenging if you are six foot two (so I’m told) but the 4-door’s headroom is perfectly adequate. Boot space is scarcely generous if you expect the magnitude of other Sports Utilities but it’s fine if you think more regular estate car. So, unexpectedly perhaps given all the gismos and the success, it was the detailing of the Evoque I found made it special. After a few hundred miles the style and the twin-needle stitching are taken for granted and it was the refinement and precision of switchgear and clever items that combined to make Evoque a thoroughly civilised car.

Handling is quite car-like, except for a bit of turbulence on averagely patchy cambered B-roads. Autocar called it “fidgety”, which is about right and Evoque is neither very fast nor outstandingly economical. It will probably be called on to tackle green lanes rather less than other Land Rovers, but for outright off-road it has the modern gadgetry that enables it to go pretty well anywhere sensible. You may not want to embark on Expeditions and I’d prefer a petrol to a diesel. I have always liked diesels since my shipbuilding days but something this refined deserves the smoothest, quietest engine you can find. I would go for 20in wheels to reduce road noise and I’d probably go for a more eye-catching colour than the black press car.

Within weeks of launch Evoque was accumulating awards faster than almost any model in the industry. Its Range Rover ambience is superb. The detailing? User-friendly sat-nav and displays. Crisp cruise control switches. Clever little button that closes the tailgate. This is a deep thought, practical-size Range Rover, and a credit to JLR and Gerry McGovern.

Review

4x4 magazine says of LAND ROVER FILE, 65TH ANNIVERSARY EDITION: The anniversary in question is the April 1948 appearance at the Amsterdam Motor Show of the first Land Rover. Eric Dymock’s Land Rover File has been produced to celebrate that fact and the publication covers all models since 1947. The first version of this book was published in 2006, but quite a lot has happened since then! There is indeed a lot to enjoy here and one of the bits that made me smile was Roger Crathorne’s Foreword. Roger has, of course, worked for Land Rover for 50 of those 65 years and there’s no better man to write a foreword. Commenting about author Dymock, he states: “As an independent author, we may not agree with him on absolutely everything, but we use this book as a working document and I commend it.” That’s enough for me, if Crathorne uses it, despite the fact he might not agree with everything, I shall be keeping this on the shelf in my office. Eric Dymock has been a motoring correspondent for more years than he probably wants to admit, and his material has always had the kind of objective comment that makes a really good read, not like some of the more blinkered acolytes that make a living writing about Land Rover products.
As a book, it’s a great ‘square’ format, and has suitably high production values, which makes the cost of £22.50 particularly impressive. It’s also an independent publication, and that’s always worth supporting. Well worth putting on any 4x4 enthusiast’s bookshelf; great as a reference tool, but equally enjoyable just to dip in and out. I will be doing both. NF ISBN 0-978-0-9569533-6-0

Sports Car Classics Part 1 - Free Download!

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MG Style


Perfect proportions. Not many cars have them now. Too many regulations and safety stuff. Updating and revising our MG book, I have concluded that the MGA was one of the most flawlessly proportioned cars ever. Abingdon had no styling studio, employed no fancy Italian carozzeria, there was no clay model for focus groups or directors to mess up. This was pragmatism in car design and it was sleek, elegant, practical and simply beautiful. Ever under-rated because it wasn’t very fast; it didn’t even overjoy MG enthusiasts because it didn’t have an ash-framed body and stickout lights like an MG TF. MGAs could never keep up with Austin-Healeys or Triumph TRs, rough-and-ready sports cars both, and neither handled with such precision or poise. The MG was, by comparison, a thoroughbred.

In 1952 morale at Abingdon was suffering as a result of BMC’s reluctance to invest in new models. The TD was in decline and Syd Enever undertook a new chassis frame to deal with the problem shown up by UMG 400, a Le Mans project that hadn’t worked very well. Enever placed the side members well apart so that the occupants could be lower on each side of the transmission, and to ensure it was stiff built a strong framework round the scuttle. Two were made, with a body along the lines of UMG 400, which had been inspired by sports racing cars of the 1940s and 1950s, notably the 1939-1940 Mille Miglia BMW 328. The result was a prototype EX175, which was immediately put on ice because LP Lord had just signed up for the Austin-Healey 100.

It was 1955 before it reappeared as EX 182 for Le Mans, displayed, in its perimeter frame and maturity, the hallmarks of a production-ready car. They were prototypes in the spirit of regulations aimed at allowing manufacturers to try out new models in the full glare of publicity. There were four production lookalikes with aluminium bodies and Weslake-developed cylinder heads, harbingers of things to come, exquisitely proportioned and in every sense a sports car classic. The bodies had seats and doors, the passenger side covered with a fairing and it was a shame that such a brave initiative was overwhelmed by the disaster when a Mercedes-Benz 300SLR crashed into the crowd, killing its driver Pierre Levegh and over 80 spectators. One of the MGs crashed almost at the same time, badly injuring Dick Jacobs, a staunch MG supporter whose connections with Abingdon went back to 1937. However the team acquitted itself well, finishing 5th and 6th in the class behind Porsches. It fared little better in September at the Ulster TT, also blemished by fatal accidents. Two works MGs had twin overhead camshaft engines, one designed by Austin, the other by Morris Engines, which became the prototype for the MGA Twin Cam. Top: Facia of 1955 Le Mans car reconstructions, photographed at Goodwood. From above; My MGA in about 1960. MG historian the late Wilson McComb in red MGA publicity shot. Wilson would surely have been embarrassed by the white sidewall tyres.