James Bond's Bentley

Ian Fleming, Studebaker Avanti, supercharged Bentleys and Mercedes-Benzes, and Donald Healey feature in the latest Dove Digital anthology,

The Complete Bentley now available as an ebook THE COMPLETE BENTLEY.

. Fleming appears in connection with Healey, once owned a Studebaker Avanti I road tested for

The Motor

, and he memorably covered the 1930 Le Mans 24 Hours race. The great duel between Bentley and Mercedes-Benz was so seared into Fleming's memory that he re-created it for James Bond.

Individuals who gave their names to cars, Rolls and Royce, Ferrari, McLaren and Healey tended to be clever publicists. Competition driver and Technical Director of Triumph well before Austin-Healey days, Healey gained outright victory in the 1931 Monte Carlo Rally as well as winnning six Alpine Cups, for outstanding performances in the International Alpine Rally.

Healey drove an Invicta in the 1932 Alpine, taking as co-driver a young news agency reporter.

My World of Cars

(Haynes Publishing, 1994) was a biography Healey wrote with Peter Garnier: “On one of the Alpine Trials I did with Invicta, I had Ian Fleming, later of James Bond fame, with me as navigator. At the time, he was with Associated Press, and had been sent with me to report the event. On many subsequent occasions, when I used to cross the Atlantic three or four times a year on the Queen Mary or Queen Elizabeth, we would meet and recall our rally together. We started from Friedrichshaven, where the Graf Zeppelin was based, and one of the awards for a Glacier Cup was a free flight. We returned to Friedrichshaven for a 4am start, when there was no wind. It took 250 men to launch and land it, the only way to bring it down to earth being to fly it to within 50 feet or so of the ground and then release 250 ropes, which were grabbed by the landing party, who pulled the whole thing down on to a big, flat railway truck and made it fast. While in flight, we were able to buy postcards illustrating the Zeppelin, already stamped and franked with its own special postmark. I bought several of these to send home to the family and, when we were flying low over the post office square in Breganz, in Austria, a bag containing our mail was jettisoned, the cards being sent on to their various destinations. Ian, as a very young man on his first foreign assignment, obtained some valuable copy and it started in him an interest in cars that lasted right through his life, prompting him to buy the most exotic he could find. For me the flight was not without a few misgivings, for it was the year following the tragic loss of Britain’s R101 in northern France, on her flight from Cardington to India, with the loss of all but six of the 54 people on board.”

Fleming may have been with AP then, although he was certainly with Reuters on June 21-22 1930. From

The Complete Bentley

: “Ian Fleming, creator of James Bond, and a Commander RNVR in naval intelligence during the Second World War, witnessed Bentley’s fifth Le Mans win. Covering the race on assignment for Reuter’s news agency, Fleming watched the contest between the 6½ Litre Speed Six of Woolf Barnato and Glen Kidston, against the Teutonic splendour of the 7.1 litre SS Mercedes-Benz driven by Rudolph Caracciola and Christian Werner. Fleming was fascinated by the drama of the occasion. Even though it was an unequal struggle, the great white racer with its wailing supercharger and the basso profundo green Bentleys, made a deep impression on the young author. Six of them were ranged against the lone Mercedes until 2.30am when it retired. Fleming replayed the duel in Moonraker, when Bond’s 1930 4½ litre Bentley engaged in a thrilling chase with villain Hugo Drax’s Mercedes. Only treachery led to the Bentley being wrecked. Superchargers fascinated Fleming, and he enjoyed a long friendship with C Amherst Villiers, who engineered them.”

You would have thought that with family money and a good income from the Bond books, Ian Fleming might have acquired a better taste in cars. In 1954 he had an Armstrong Siddeley, nothing wrong with that, my father had one in 1956. There was a Ford Thunderbird in Fleming’s garage at one time, but then took leave of his senses and had a Studebaker Avanti. This was a particularly disagreeable car. Not, perhaps, the worst I drove on the road test staff of

The Motor

(that distinction went to a Fairthorpe Electron) but close. The axle tramp was like a nightmare Morris Minor 1000. It took extraordinary leaps and bounds on acceleration and braking, no matter how reverentially you treated brake and throttle. Everything seemed seriously out of balance. Even though the passage of time has softened Raymond Leowy’s lines, it can be imagined how bizarre the appearance was in 1964.

The family Armstrong Siddeley Sapphire 236.

The Avanti road test was never completed. I had drafted it three weeks before the Studebaker Corporation stopped making Avantis, so it only made the pages of the magazine on 29 January 1964 as Lament for a Road Test That Never Was. It had been a bad time for American car makers; Studebaker was the latest old name to vanish, following Hudson and Packard into history. There had been trouble with the Avanti’s plastics body, so when Studebaker abandoned car production in the United States, retaining only its Canadian assembly plant, the Avanti had to go.

Under “Handling and brakes” I wrote: “Even on dry roads, the Avanti was not a particularly pleasant car to drive because of the change of attitude it adopted when you applied power on a corner. In the wet, the throttle had to be used very sparingly or the back quickly became uncontrollable, the vast power generating copious wheelspin, even in top gear. Alarming, not to say dangerous, even for quite experienced drivers.

The original Avanti report described the understeer (the weight distribution was 59/41) commenting that although twisty roads could be taken at a cracking pace in the dry, “fast bends were all too often taken in a series of jerks as steering lock, throttle and then opposite lock were applied in quick succession.”

The steering was heavy and driving slowly over bumps there was a lot of kick-back. As with another very fast American we tested recently, there seemed to be a case for tyres with better wet grip. And the injunction, contained on a little plate inside the glove compartment, that the tyres were only for “ordinary motoring” did little for the driver’s peace of mind on motorways.”

The “other fast American” was a Chevrolet Corvette Sting Ray, which also features in Eric Dymock Originals to be published at the end of August.

Dove Digital: The Complete Bentley


Full-colour ebook edition of the luxury hardback that gained the author's second Montagu Award in 2009. The only single publication giving details of every Bentley model since the first in 1920.

This account of Bentley history and exhaustive chronology goes back to WO Bentley's early days as a scion of a wealthy North London family, so fascinated by railway locomotives that he took a premium apprenticeship with the Great Northern works at Doncaster. Commissioned into the Royal Naval Air Service in the 1914-1918 war, he created the Bentley rotary aero engine for fighter aircraft on the Western Front. His adventure into high-quality cars, which brought Bentley Motors a unique series of Le Mans victories, produced a dynasty of classics but ended in financial disaster. Rolls-Royce took over in 1930. The reputation of Bentleys never faltered; by the turn of the century ownership by Volkswagen AG brought new engineering achievements and another Le Mans triumph under the generalship of Ferdinand Porsche's grandson, the gifted Ferdinand Piëch.

Kindle edition ISBN 978-0-9554909-9-6, price £8.99, includes pictures.
Ebook (Adobe Digital) edition ISBN 978-0-9554909-6-5, price £15.99 – colour pictures throughout. Publisher: Dove Publishing Ltd.

Jaguar: All Models Since 1922

A Eric Dymock Motor Ebook from Dove Digital, available now.


A model-by-model account of Jaguar and its history, its automotive achievements and engineering expertise, from the Austin-Swallow of the 1920s to Jaguars of the 21st century.

Dove Digital's new title provides detail of every Jaguar model since 1922. It includes landmark Jaguars from the 1930s '100' models, through XKs and saloons from Mark V to Mark 10. Here are details and authentic, accurate specifications of racing Jaguars and road cars such as the Mark 2 saloons and the one-off XJ13, failures and successes right up to the XF and XJ. It takes in concept cars such as the R-Coupe shown at Frankfurt a week after the centenary of founder Sir William Lyons’ birth on September 4 2001.

Jaguar began in 1922 building motorcycle sidecars, and evolved into one of the world's leading luxury car manufacturers. Jaguars won the Le Mans 24 Hours classic sports car race seven times and competed in Formula 1 grand prix racing. This new Dove Digital publication shows how Jaguar design developed, describes how aluminium technology for the Jaguars was: "Not so much retooling for a new model, as creating a new branch of motor industry."

Style pacesetter and engineering innovator, Jaguar became a cultural icon with the E-type of 1961, the XJ series of saloons and the S-type, XK8 and XKRs of the 1990s. This book is a model-by-model account of how this accomplishment came about, from the Austin-Swallow of the 1920s to Jaguars of the 21st century.

Completely revised and updated since the original best-selling hardback JAGUAR FILE, now out of print.



Recreated 1952 C-type, the unsuccessful altered car that failed at Le Mans. Photographed (like 1948 XK120 heading picture) at Goodwood Revival.


FSN1, Stewart's of Dumbuck demonstrator, driven by the author and Jimmy Stewart, at Turnberry for the RSAC Concours d'Elegance.

Kindle edition ISBN 978-0-9554909-7-2, price £7.99, includes pictures.
Ebook (Adobe Digital) ISBN 978-0-9554909-8-9, price £10.99, colour pictures.

Targa Siciliana by Camargue


Rolls-Royce must have had a Mafia mole. Briefly in 1975, Sicilian speed limits, it seemed, were suspended. We flew in a BAC 111 from Gatwick to Catania on January 15, for the press launch of the Camargue; driving round island roads in a sort of luxury Targa Florio*. Sicily was good in January, warm, sunny and we stayed at a spectacular hotel, clinging to a cliff in Taormina, Mount Etna one side and the Ionian Sea on the other. I drove with Roger Bell, an engineer from Rolls-Royce in the back. We never discovered if he was merely an observer, watching over his car or over us. We drove on dry, dusty mountain roads, then raced along empty half-finished Autostradas, which pierced rock faces with twin tunnels. It was an exciting journey in air conditioned comfort, the motorway bits mile after mile at an indicated 120mph. We weren’t sure that the man from Rolls-Royce enjoyed it, but he never complained. Roger was head road tester and a trusted former colleague at The Motor, an accomplished saloon car racer we often drove on press launches. We knew one another’s driving. The poor engineer didn’t know us at all.

Did you know there was a Bentley Camargue? Just one. A Bentley Pininfarina designed for Lord Hanson in 1967 and the Rolls-Royce Camargue eight years later, were not highly regarded at first. It was a decade or two later before the eye caught up with their high waistlines and flat sides. Sergio Pininfarina had worked to strict limits. His design brief from Crewe was unlike the free-ish hand given him for the Fiat 130 Coupe, which, as with the 1947 Cisitalia, was an exemplar of crisp contour and elegant proportions. This time he had to adhere to the 1960s T-series/Silver Shadow floor pan, engine and transmission. Furthermore he was required to keep the generous seating plan. Rolls-Royce decreed that the proportions of the radiator could change (they had altered several times since 1904) and, as a special concession it could be tilted forwards, but by no more than 4 degrees from the vertical. Camargue looked bigger than the rest of the range and although no taller, it was a substantial 10cm (3.94in) wider. A striking innovation to the facia was Pininfarina’s clever adoption of aircraft-style instrument bezels, at one stroke taking the ambience of the car ahead by a generation. Something of a new experience for Crewe was meeting safety legislation, largely American thus far, which required destructive testing of bodies and components. More power was needed to make sure the larger frontal area would not affect performance, so after car 31 the engine was supplied with a German-made Solex four-barrel fixed choke carburettor. For markets where stringent emissions regulations were being applied, such as the United States and Japan, the two SUs were retained along with a lower compression ratio of 7.3:1. Crewe and Mulliner Park Ward in London shared Camargue production until summer 1968, when Motor panels of Coventry was contracted to supply completed body shells and production commenced at Crewe. Prototype Camargues ran with Bentley disguises and a turbocharged Bentley had been considered for production, but the car came on the market as a Rolls-Royce. However Sir David Plastow said that the company would be happy to quote a price for a Bentley version if anyone wanted. It was an offer one customer took up. Enquiries to identify the individual came to nothing. Was there a Sicilian connection?
INTRODUCTION 1975 produced to 1986
BODY Saloon; 2-doors, 4-seats; weight 2347kg (5175lb)
ENGINE V8-cylinders, in-line; front; 101.4mm x 99.1mm, 6750cc; compr 9:1 later 8:1; 164kW (220bhp) @ 4000rpm; 24.3kW (32.57bhp)/l.
ENGINE STRUCTURE 2 pushrod overhead valves; hydraulic tappets; gear-driven central cast iron camshaft; aluminium cylinder head with steel valve seats, aluminium block, cast iron wet cylinder liners; 4-choke Solex 4A1 carburettor, later 2 SU HIF7 1.87in; coil ignition Lucas Opus electronic ignition distributor; two SU electric fuel pumps; 5-bearing chrome molybdenum crankshaft.
TRANSMISSION rear wheel drive; GM400 3-speed automatic with torque converter; hypoid bevel final drive 3.08:1.
CHASSIS steel monocoque with sub-frames; independent single transverse arm top wishbone front suspension; coil springs, anti roll bar; independent trailing arm rear suspension, coil springs; anti roll bar; rear automatic height control; telescopic dampers; hydraulic servo brakes, 27.9cm (11in) dia discs, 2 single callipers front ventilated, dual calliper rear; triple circuit; Saginaw recirculating ball, later rack and pinion PAS; 107l (23.5gal) fuel tank; 235 70VR 15 radial ply tyres, 6in rims
DIMENSIONS wheelbase 305cm (120in); track front 152.4cm (60in), rear 151.4cm (59.6in); length 517cm (203.5in); width 191.8cm (75.5in); height 148cm (58.2in); ground clearance 16.5cm (6.5in); turning circle 11.6m (38ft).
EQUIPMENT Connolly hide upholstery; Wilton carpet with nylon rugs; air conditioning; laminated windscreen; Bosch Frankfurt AM FM radio £77.46 extra
PERFORMANCE maximum speed 190kph (118mph); 42.1kph (26.2mph) @ 1000rpm;
0-100kph (62mph) 10.1sec; fuel consumption 22.6l/100km (12.5mpg).
PRICE, 1975 Rolls-Royce £29,250
PRODUCTION 525 Rolls-Royces and 1 Bentley (plus 4 prototypes and 4 experimental cars all scrapped)
*Sicilian road race. This blog based on The Complete Bentley, Dove Publishing Ltd, now widely available as an ebook from Foyles, Waterstone, Amazon and more.

Anniversary for Kia


Twenty years ago this week, The Sunday Times motoring column was wide-ranging. Porsche and Volkswagen featured, Kia making it at bottom left on its introduction to Britain, selling 1,786 cars in its first year. Last year it sold 56,114 and has become an international giant making more than 2 million vehicles. Kia Motors Corporation, which celebrated its 67th anniversary in May, began in South Korea manufacturing bicycles, growing to be part of the world’s fourth largest automotive group. Its splendid Scottish Car of the Year Sportage crossover and Sedona MPV are great value for money and recent models such as the European designed and manufactured (if curiously named) cee’d have secured a reputation for quality and reliability.

Yet it is probably Kia's seven year warranty that has been the most distinguished contribution to its success. Peter Schreyer’s appointment as chief designer in 2006 brought the products up to the mark, bringing popularity to new models such as the Soul urban crossover, Venga mini-MPV and new Picanto. Kia has graduated into the mainstream of style; you no longer look on it as a sort of bargain basement car.

Commenting on the anniversary, Michael Cole, Managing Director, Kia Motors (UK) Ltd, said: "Kia has been on quite a phenomenal journey in recent years. In less than two decades we've certainly lived up to our 'Power to Surprise' slogan by growing from a relatively small importer to challenging the best and most established brands in the industry. We think we have a fantastic range of cars and, judging by our growth over the last few years, it seems our customers think so too. 2011 is set to be our busiest year yet and I'm confident it'll be one where we challenge perceptions more than ever as we launch three superb new products in the UK - new Picanto, new Rio and, later in the year, new Kia Optima".

SUNDAY TIMES: Motoring, Eric Dymock
7 July 1991
KIA-PENZA
Two new bargain makes on sale this month offer a practical alternative to buying second-hand. The Escort-sized 1.3 litre Sao Penza will cost under £7,700 and the Metro-sized Kia Pride range is all below £6,800. Both are former Mazdas, the Penza is the old 323 now made in South Africa, and the Kia is the obsolete 121 made in Korea.
This week's price cuts by manufacturers provide new baselines to try and stem disorderly discounting. Kia and Sao Penza start cheap because they use old technology, yet still come with competitive new-car warranties. They are being imported by MCL Group which sells Mazdas in Britain. Group chairman John Ebenezer, who used to import inexpensive brands from east Europe such as FSO, is optimistic about the new arrivals.
"We are constantly looking for opportunities for new products for the UK market and the improved political situation in South Africa has allowed us to import the Sao Penza." Kia is one of the world's top twenty motor manufacturers although quite a lot of the cars it makes do not carry the Kia brand name. The Pride sells as the Ford Festiva in the Far East.
The most expensive Kia is £1,885 cheaper than the current Mazda 121. The Pride 1.1L 3-door at £5,799, the 1.3LX at £6,399 and the 5-door LX at £6,799 will be among the cheapest superminis on the market.
It hardly matters that Kia's technology is not quite 1991 and the ride and refinement not as good as the Fiat Uno or Nissan Micra. The cars have a useful turn of speed, good economy, an agreeable appearance and seem strongly built.
The two Sao Penza models to be sold here are made by the South African Motor Corporation (Samcor) created in 1985 by the amalgamation of South Africa's Ford and Chrysler operations. Samcor is 76 per cent owned by the Anglo American Corporation and the 5,000 workers own 24 per cent of the shares.
The 1.3 litre five door hatchback will be priced at £7,549 and the four door saloon is £7,695 with metallic paintwork.

The Zandvoort Four


Jim Clark, Lotus-Ford, 1968
You don’t meet many geniuses. On June 4 1967 I watched four write motor racing history. The death of Keith Duckworth at the age of 72, extinguished the light of the quartet who shone so brilliantly that day at Zandvoort. The others were Jim Clark, Colin Chapman and Walter Hayes.

The Dutch Grand Prix was third race into the 1967 world championship calendar. The British teams had been having difficulty finding a suitable engine and now with the first race of the Lotus 49 they thought they might have one in its new Ford-Cosworth. You couldn’t expect it to win first time out but astonishingly it did, the first of a record-breaking 155 grand prix victories, for what would be the greatest racing engine of all time.

The winning driver Jim Clark was affable, the car’s creator Colin Chapman admirable, Walter Hayes thoroughly likeable, but Duckworth, the engine designer, was perhaps the one you could say was truly lovable.

Colin Chapman (left) with Jim Clark
Shy reserved Jim Clark did not much care for journalists, although he put up with those like me who had known him from before he ever raced. He knew I was unlikely to rush into print with confidences. They were carefully respected even though it meant subduing an urge to tell the world. If I had, I knew I would quickly turn from being a motor racing insider to an outsider.

Colin Chapman was founder of Lotus, and the most innovative racing car designer of his generation. He had not been first to put the engine behind the driver, but he had done it better than anybody else, and understood perfectly why. He exploited every nook and cranny of the regulations, invoking anything not expressly forbidden. He made a driver lie almost on his back to reduce a racing car’s height. Chapman’s pursuit of lightness was obsessive, to the point where everybody knew his cars were fragile, yet everybody wanted to drive them because they were winners. Chapman would give a lucid one-to-one press conference, telling you what he thought you ought to know about racing car design, while looking over your shoulder for somebody more important.

Walter Hayes, head of its public affairs, arranged for Ford Motor Company to pay for an engine that would win the world championship for Jim Clark. A former editor of the Sunday Dispatch, Hayes was a sage. He knew Clark was the world’s greatest driver; he knew Chapman was best car designer. He also knew that he, Hayes, was the world’s best publicist. All he had needed was to find the world’s best engine engineer and inspire him. Hayes did the one-to-one press conference without looking over your shoulder. You got his full attention, eye contact, first name; he knew what you wrote for. He would steer you to the best story. Thoughtful, articulate and utterly in command, he stage-managed designers, racing drivers, teams and was the best spin-doctor the car industry ever had.

Walter Hayes, Ford Public Affairs
Walter’s world collapsed ten months after Zandvoort when Clark died at Hockenheim. Like the rest of us, it had probably never entered his head that Jim Clark would die in a racing car. It was a blow to Chapman too, but he recovered and carried on designing the ground breaking inventive racing cars, taking the rules of motor racing to the brink, pioneering advances like aerodynamic down-force and ground-effect. Unfortunately he took his brinkmanship into business. A court would hear how John DeLorean, Chapman, and Lotus accountant Fred Bushell siphoned off taxpayers’ money intended for DeLorean's ill-fated Belfast car company, when in 1978 Lotus was paid $17.65 million to develop the absurd backbone-framed stainless-steel roadster.

The loot was laundered in a Panamanian registered, Geneva based company. None of it got anywhere near the car and, in the words of the Delorean receiver Sir Kenneth Cork, “went walkabout”. A House of Commons Public Accounts Committee reported in July 1984 that the money was “misappropriated”. A three way payout gave DeLorean $8.5 million, while Chapman and Bushell divided $8,390,000 between them in numbered Swiss bank accounts. Chapman took 90 per cent, but the bulk of the missing millions was never recovered.

By the time of the settlement Chapman was dead. The unfortunate Bushell was jailed for three years and fined £2.25m. Lord Justice Murray told Belfast Crown Court that Bushell had been the brains behind a “bare faced, outrageous and massive fraud”. He also said that had DeLorean not been American and Chapman alive, they would have been given ten year prison terms.

David Keith Duckworth was born in Blackburn Lancashire, went to Giggleswick School and studied engineering at Imperial College, “scraping through” his BSc as he put it. This may have been due in some measure to his dissertation being critical of the course, its organisation, and its methodology. It was not the only time his frankness led to trouble. “I don’t compromise easily. I won’t accept theories that are wrong. I can spot bullshit at 100 yards and I have to say so.”

Keith Duckworth (left) explains an FVA to Ford vice president of engineering, Harley Copp
A deeply analytical engineer, he joined the fledgling Lotus company in 1957 as a gearbox development engineer, but soon recognized Chapman’s shortcomings and left, telling the proprietor that he was not prepared to waste his life developing something that would never work. Instead he set up an engineering company with his friend Mike Costin calling it, a little bleakly perhaps, Cos-worth. They adapted the Ford Anglia 105E engine for Formula junior and swept the board.

The DFVThis led to a four-valve version called FVA (for Four Valve Type A) and when Ford put up £100,000 for a V8 they called it the DFV (for Double Four Valve). It set new standards of power and reliability. Duckworth did press conferences too, scattering aphorisms like confetti: “It is better to be uninformed than ill-informed.” He laughed a lot and pontificated, but would never patronise, beyond perhaps a cheerful “That’s a bloody silly question Eric. You can do better than that,” delivered in rich Lancastrian.

He found it better to be truthful. “If you lie you’ve always got to remember what yesterday’s lie was.” His warmth was genuine, although if he wanted to be evasive over some technicality, he would smile benignly. “Very few straight answers are ever possible. The decisive man is a simple-minded man.” Keith trained as a pilot in the Royal Air Force, but whenever he flew me in his Brantly helicopter, it was always with an injunction that, “This thing is put together by engineers and engineering things always break in the end.” It never did, although a heart attack in 1973 forced him to give it up.

When, seven years later, he relinquished his 85 per cent stake in Cosworth Engineering, its success was already assured. It had reached well beyond motor racing and produced a range of brilliant engines for production cars of Ford, GM, and perhaps as its ultimate accolade, Mercedes-Benz.

The Zandvoort Four were supremely gifted, Keith Duckworth the acme of the articulate engineer. His laughter was the happiest sound ever in a pit lane.
From: The Scotsman, published following the death of Keith Duckworth, aged 72, in December 2005.